To me, the title of All-around drummer fits Vinnie to a T.
I agree with Pocketplayer in that one has to define what all-around is. If you want to be a real hard ass about it and say that a drummer has to be able to play "all" styles authentically which includes all styles and periods of what Steve Smith refers to as American music, all styles of the various "Latin" musics, not to mention drumset adaptations of African rhythms, South Indian, North Indian etc. , then yeah, there is'nt a drummer on the planet that can cover that many styles at the highest level of authenticity. But if we're talking about playing all styles in general with some level of authenticity then there are only a few guys that can do that.
The only guy I can think of that comes pretty close to performing and recording the wide variety of "American music" (all styles of rock, pop, country, metal, jazz, blues, fusion, etc) is Vinnie. I think the reason why others bring up his recorded work is because it's documented proof that he has played the styles of American music with some degree of authenticity. He plays them well enough to be asked to do recordings of them. To me that pretty much fits the title of all-around drummer. Check out the recordings, his career is documented and it speaks for itself.
Paraflam-I have to disagree with you on who you say is "all-around". You say that Vinnie does'nt speak the language of be bop, yet some of the guys you mention as being able to don't either. Brian Blade is mostly influenced by Elvin, Billy Higgins and early Jack, I don't hear any Max or Kenny Clarke and I have heard probably everything he's ever recorded. Clarence Penn, an incredible musician and a huge favorite of mine, is influenced mostly by hard-bop guys as well as Dennis Chambers. He has'nt done any recordings playing the styles of blues, country, rock, metal, or even folkloric afo-cuban music. Neither has Blade, Igoe, and maybe Hass.
